Аннотация:This article analyzes the reflection of the ideological and aesthetic struggle and socio-cultural life of Russia at the turn of the XIX-XX centuries in the memoirs of A.N. Benois.The scope of traditional studies of memoirs of the Silver Age figures as sources of cultural achievements of the period has been expanded.The factors that influenced the development of Benois's worldview, his political beliefs, and played a significant role in determining his public stance in relation to certain phenomena of public life has been considered.First, such factors include the patriarchal way of life of the family distinguished by rich cultural traditions, the years of study at Karl Mayʼs School where he met his future friends in creative activity, meetings at lectures with Professor N. Korkunov, acquaintance with masterpieces of Russian art.The evolution of the national identity of A. Benois developed from partial neglect through acquaintance with great creative achievements to admiration and glorification of Russian culture, in particular through the organization of the Ballets Russes in Paris.The analysis of the artist's creative activity makes it possible to identify his aesthetic views that predetermined his relationship with the aristocracy of talent and art patrons.The comparative study of Benois's memoirs with the works of professional historians and memoirists shows their objectivity and the author's proper understanding of the socio-political situation in the country.
