Аннотация:The story of the postwar animation in Spain, known as the « Golden Age», has always been fascinating due to the context where it happened and so, it became object of study.Nevertheless, there are still some episodes to be finished.This study aims to complete one of these gaps as the one related to Joaquín Pérez Arroyo's work and his later connection to home cinema as a toy and its context.All through this research, we'll analyze films of this barely known author and his decisive participation in two of the most popular toy cinema examples in Spain: Payá and Jefe.Thanks to him, these two cases became connected, two worlds that coexist within the paper film and the 35 mm, between the living room and the movie theatre, between Mikito and Quinito.
Год издания:2018
Издательство:Autonomous University of Madrid
Источник:Secuencias Revista de Historia del Cine
Ключевые слова:Media, Journalism, and Communication History, Cinema History and Criticism, Spanish Culture and Identity
