Аннотация:The essence of adventure lies in taking risks and exploring the unknown, so it is hardly surprising to find that early travel accounts tended for the most part to be written by men, who moved more freely in the public sphere. The great European sagas of knightly questing (such as The Norse Sagas and The Arthurian Cycle) or seafaring exploration (such as The Odyssey and The Lusiads) are also male narratives with women the objects of desire or destination points rather than active co-travellers, though the figure of the warrior-princess roaming the world in search of adventure was popular in Renaissance epics like Orlando furioso and Gerusalemme liberata. The adventure quest in the sixteenth and seventeenth centuries, when men journeyed in search of fortune and renown to the new worlds that were opening up beyond the frontiers of Europe, was explicitly gendered, since the idea of man as heroic risk-taking traveller underpinned not only the great travel narratives of the next centuries, but much of the travel writing of the twentieth century also.
