Аннотация:Lorca paid several «forms of attention» to Lope de Vega. As director of La Barraca he staged Fuenteovejuna and El caballero de Olmedo for popular and rural audiences, La dama boba for the urban audiences of Buenos Aires, Madrid, and Barcelona, and Peribáñez y el Comendador de Ocaña for the experimental Anfistora Club, reshaping the texts and the stage setting accordingly. As a playwright and poet, he integrated in his work a number of intertextual allusions to Lope.
