Аннотация:In the same way that the parent and child are distinct and separate whilst remaining undeniably connected, so too are the parallel shows curated by Susan Bright on photography and motherhood at The Photographers' Gallery and The Foundling Museum.Although part of the same story, the atmosphere of the two exhibitions is completely contradictory.As you enter the Foundling Museum, you are immediately greeted by loss.Originally a home for abandoned children, perhaps sadness and longing has somehow seeped into the walls.However it has happened, loss overwhelms as you enter the museum; it then follows behind as you walk down a grand staircase and arrive inside the hidden basement space, home, for the time being, to the work of Miyako Ishiuchi, Annu Palakunnathu Matthew, Ann Fessler and Tierney Gearon.This work, exhibited together, left me somewhat speechless, breathless, and wanting to get away.As the eye moved between the intricately photographed possessions of Ishiuchi's dead mother, the melding of past and present in a digital family album created by Palakunnathu Matthew, and the fraught insanity at once observed and stimulated by Gearon, the ear listened to the depressed, echoing voice that guides Fessler's searching journey to a place where her mother no longer lives.There is nothing to hold in this space; by this I mean, all bodies have been taken
