A Poetics of the Streetстатья из журнала
Аннотация: January 01 2013 A Poetics of the Street Alain Arias-Misson Alain Arias-Misson ALAIN ARIAS-MISSON, born in Brussels, Belgium and educated in the U.S., is one of a score of innovators around the world who created visual poetry in the early sixties. The Public Poem is an outgrowth of his poetic experimentation, a form of street poetics, which he invented in 1965 and has enacted periodically ever since, sometimes commissioned by a cultural institution—the City of Bonn for the Beethoven Bicentennial (1970); the Beaubourg, La Revue Parlée (1988); the Deutsche Literatur Haus, Hamburg and Berlin (1991)—but more often produced outside any artistic framework, as, for example, the Public Sistine Chapel Shamanic Poem in the Vatican (1994), or the Public Surveillance Poem in the République Metro in Paris (2003). His mental theatres and literal objects have been shown in galleries and museums worldwide. Recent group exhibitions include Word and Image since 1910, Museum of Modern Art of Rovereto; the Biennale de Lyon; the Łódź Biennale, Poland; the 51st Venice Biennale, collateral events; Encuentros de Pamplona, Reina Sofia Museum of Modern Art, Madrid; selected works from the permanent collection at MuKHA, the Contemporary Museum of Antwerp. He is also the author of six novels, including Theatre of Incest, COUNTDOWN! The Return of the Maya to Manhattan, and the forthcoming A Literary Work of Fiction. Search for other works by this author on: This Site Google Scholar Author and Article Information Alain Arias-Misson ALAIN ARIAS-MISSON, born in Brussels, Belgium and educated in the U.S., is one of a score of innovators around the world who created visual poetry in the early sixties. The Public Poem is an outgrowth of his poetic experimentation, a form of street poetics, which he invented in 1965 and has enacted periodically ever since, sometimes commissioned by a cultural institution—the City of Bonn for the Beethoven Bicentennial (1970); the Beaubourg, La Revue Parlée (1988); the Deutsche Literatur Haus, Hamburg and Berlin (1991)—but more often produced outside any artistic framework, as, for example, the Public Sistine Chapel Shamanic Poem in the Vatican (1994), or the Public Surveillance Poem in the République Metro in Paris (2003). His mental theatres and literal objects have been shown in galleries and museums worldwide. Recent group exhibitions include Word and Image since 1910, Museum of Modern Art of Rovereto; the Biennale de Lyon; the Łódź Biennale, Poland; the 51st Venice Biennale, collateral events; Encuentros de Pamplona, Reina Sofia Museum of Modern Art, Madrid; selected works from the permanent collection at MuKHA, the Contemporary Museum of Antwerp. He is also the author of six novels, including Theatre of Incest, COUNTDOWN! The Return of the Maya to Manhattan, and the forthcoming A Literary Work of Fiction. Online ISSN: 1537-9477 Print ISSN: 1520-281X © 2012 Alain Arias-Misson2012 PAJ: A Journal of Performance and Art (2013) 35 (1 (103)): 94–98. https://doi.org/10.1162/PAJJ_a_00130 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Alain Arias-Misson; A Poetics of the Street. PAJ: A Journal of Performance and Art 2013; 35 (1 (103)): 94–98. doi: https://doi.org/10.1162/PAJJ_a_00130 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsPAJ: A Journal of Performance and Art Search Advanced Search This content is only available as a PDF. © 2012 Alain Arias-Misson2012 Article PDF first page preview Close Modal You do not currently have access to this content.
Год издания: 2012
Авторы: Alain Arias-Misson
Издательство: The MIT Press
Источник: PAJ A Journal of Performance and Art
Ключевые слова: Poetry Analysis and Criticism, Public Spaces through Art
Открытый доступ: closed
Том: 35
Выпуск: 1
Страницы: 94–98