Аннотация:Abstract This article explores some of the visual imagery that has emerged from the process of deindustrialization. It seeks to understand the similarities and differences between post-industrial photography collected in book format in both North America and Europe and the critics of this genre. It makes sense of the value and meaning of this publishing trend and what it says about its market. While it would be easy to dismiss this material as “simply nostalgic,” representing another manifestation of “smokestack nostalgia,” this article suggests that we need a more nuanced account which asks questions about the continuing desire to reflect back and find value in the industrial past. In so doing it makes a contribution to a wider critical account of the role of cultural approaches to interpreting industrial change and working-class history.
