Аннотация:This paper examines the role played by literature in constructing regional otherness focusing on a case study of Northern Finland. In the case of the Finnish North the direct connections between literary tradition, cultural imaginativeness and spatial otherness have been distinctive. Literary stereotypes concerning northern exoticism and the romantics have formed an imaginary contrast with the southern culture, a homogeneous region without any contradictions, imagined by the southern culture in a manner that meets its own hegemonic needs. The defining of the North exclusively in terms of a binary opposition between nature and culture has implied a multidimensional exercise of power in which culture and civilization have justified their own existence by excluding their opposites. In this article northern literature is perceived as a ‘tool’ not only for constructing otherness but also for deconstructing and decolonizing it. Northern imagination is viewed from a metafictional perspective, and the focus is on how the postmodern northern irony is self-consciously concerned about its own social discursiveness, i.e. northern marginality. In the present case the metafictive approach also stands for a methodological possibility for geographers to view literary discourses of otherness more from above. Attention is focused on the eccentrically obtrusive northern artist Rosa Liksom, the pseudonym of a novelist/visual artist who has transformed her northern irony into an emancipatory project.
