Аннотация:The study of infant music perception began in the 1970s—a time when young infants were considered incapable of holistic processing of auditory sequences. These limitations were reconsidered with the demonstration of infants’ configural processing of pitch and timing patterns, which presaged the vibrant field of study that unfolded over subsequent decades. The 1980s revealed the salience of melodic contour for infants as well as adult-like processing of pitch and timing patterns. The 1990s shed new light on intervals and scales, uncovering situations in which infant listeners outperformed their adult counterparts. Scholars in the new millennium have documented a number of factors that influence rhythm perception in infancy, including incidental exposure to music and the experience of movement during music listening. In addition, brain-based measures are shedding light on the musical sensitivities of newborn infants. In sum, the conception of infants vis-à-vis music has changed substantially over the past four decades. Moreover, research in this realm is influencing ongoing debate about the nature and origins of music.
