Библиографическое описание:Онтологическая природа творчества: древневосточная, ренессансная и просветительская философские традиции : научное издание / И. С. Качай. - Текст : непосредственный // Вестник Томского государственного университета. Философия. Социология. Политология. - 2023. - №76. - С. 121-130. - ISSN 1998-863X. - ISSN 2311-2395, DOI 10.17223/1998863X/76/12.
Аннотация:Рассматривается онтологическая укорененность творчества как культурфилософского феномена. Выявляются способы концептуализации онтологической природы творчества в философских традициях Древнего Востока, Возрождения и Просвещения. Прослеживается тенденция амбивалентного понимания сущности творчества, заключающаяся в дифференцировании истинных и мнимых творческих интенций. Разрабатываются исторически детерминированные рабочие понятия подлинного и мнимого творчества с онтологических позиций. Автор заявляет об отсутствии конфликта интересов.
The object of the research is creativity as a cultural and philosophical phenomenon. The focus of the research is the ontological essence of creativity revealed in the philosophical traditions of the Ancient East, Renaissance and Enlightenment. The aim of the research is the historical and philosophical reconstruction of the ways of conceptualizing the ontological essence of creativity within the framework of these epochs. The topicality of the research is determined by modern socio-cultural transformations in the sphere of creative being, characterized by the spread of new creative practices that prioritize the presentative side of creativity over the value content and replace the freedom of the creative process with algorithms. Such trends require the development of an adequate system of criteria for creativity, for which it is necessary to turn to the history of its philosophical understanding. The first part of the research examines the specifics of the ontological approach to the phenomenon of creativity, which is revealed as an attribute of being and as the potency of the subject. The second part of the research is dedicated to the investigation of the ontological rootedness of creativity in ancient Eastern philosophy, in which the process of the formation of the cosmos itself appears to be creative, carried out due to the dialectical interaction of opposite principles. The meaning of creativity is found here in the inactive following of the subject to the creative self-unfolding of transcendental substations. The third part of the research analyzes the Renaissance substantiation of the ontological essence of creativity, which is understood both as bringing a thing to being by God, who is in the modes of the Creator, Ruler and Guardian, and as the unfolding of being by the subject from its center. The fourth part examines the Enlightening understanding of the ontological essence of creativity as a divine emanation of being and as the preservation of being by God. The ontological source of the subject’s creativity is the mind, which allows actualizing the creative potencies inherent in it by God. In each of the considered epochs, there is a tendency of an ambivalent understanding of the essence of creativity, consisting both in the differentiation of the productive and reproductive aspects of creativity and in the gradation of true and imaginary creative intentions. In the final part, the working concepts of true and imaginary creativity are proposed. The author declares no conflicts of interests.
